My current series, Metamorphosis, emerges from the quiet yet seismic shifts I experienced through motherhood — a profound unfolding that both softened and strengthened me. I work in porcelain, using this delicate, luminous material to explore the tension between softness and resilience, control and surrender.

These works are assembled through, sometimes,  hundreds of wheel thrown and altered, biomorphic forms. They echo botanical, anatomical, and oceanic systems — not as direct representations, but as visual languages of transformation. In this way, I see my work as a conversation between the internal and external, the human and the elemental. Porcelain’s capacity to be simultaneously fragile and enduring feels like an honest parallel to the female experience — and to the broader arc of being.

I am driven by the desire to understand myself and to create spaces that bridge emotional and ecological terrain. The forms I build invite intimacy and ambiguity; they do not insist on a single interpretation, but instead ask viewers to slow down and feel their way through. My hope is that these pieces resonate like a memory — ephemeral, embodied, and quietly potent.